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In Mary Shelley's Frankenstein and Oscar Wilde's The Picture of Dorian Gray girls are often portrayed as weak and passive personalities. During the 19th century when these books were written, the proper national ideology was that women were naturally squeamish, defenseless, innocent beings, who had protection against the male worlds of business and politics (Stepenoff). This motif is demonstrated throughout both of these books through minor and major characters. In the event of Frankenstein, Shelley, who is a feminist herself, covers her novel with submissive women who suffer peacefully and finally die. Likewise in Wilde's story, there are a couple female characters that do not show much immediate importance, but they finally have a significant effect on the narrative. Both writers portray their female characters as weak and passive, nevertheless, despite their minor roles, these girls strongly influence the guys and greatly change the course of events in each novel. In Frankenstein, there are many women who are cited who seem to originally play small roles. Elizabeth is one of the most significant female characters and is the embodiment of this always passive woman in the novel. She is a great friend to Victor whom she's predicted to marry someday. Elizabeth takes on conventional feminist ideals by performing the use of a "good girl," but as the story goes, it appears that she is only there to suffer and perish (Williams). Elizabeth is waiting for Victors return from his tour of Europe. She sends Victor a friendly letter telling him of just how much she wants him to come home. She is quite intent on becoming Victor back so she can wed him. Elizabeth's death by the monster changes Victor's character because he is so close to her...