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The Theme of the Hurting Faithful in Blake's Town The composition "London" by William Blake paints a chilling, dark picture of the eighteenth hundred years Town, a picture of battle, pain and poverty. Written in the historical context of the English crusade against France in 1793, William Blake cries out with vibrant pictures and analogies against the repressive and hypocritical Everyday terms culture. He accuses the national government, the clergy and the crown of failing their mandate to serve people. Blake confronts the audience in an apocalyptic picture with the upsetting effects of diseasing the innovative features of a culture. Selecting the first person type in the last and first stanza, the poet reflects his personal encounters with the populous city of London. He adheres to a strict kind of four stanzas with each four lines and an ABAB rhyme. The color of the composition adjustments from a contemplative lyric quality in the initial to a dramatic razor-sharp ending in the last stanza. The overall tone in the 1st stanza is usually established by regular features, iambic meter and very long vowel noises in the words and phrases "wander", "chartered", "flow" and "woe", making a burial plot and somber disposition. The verb "wanders" connotes contemplative walking without specific destination through streets that are described as "chartered". But the phrase "street" is usually unclear. While it could end up being the house of people, a community and a place for psychological sanctuary, the roads and the lake Thames are "chartered"; they are described as industrial organizations where business and cool money rules. The picture is normally established in which the poet views the disappointed residents of Town. Their encounters reveal the common man's physical and religious hurting through "marks of a weakness, marks of woes". The repeating of the...