Get help with any kind of assignment - from a high school essay to a PhD dissertation
Emperor Hadrian in Marguerite Yourcenar's Memoirs of Hadrian and E.L. Doctorow's Everyman figure of Coalhouse Walker, Jr. in Ragtime As Marguerite Yourcenar states in Memoirs of Hadrian, "... there's always a day where Atlas ceases to support the weight of the heavens, and also his revolt shakes the ground." (114) After Coalhouse Walker strides intentionally, even voluntarily, into his death, he is more powerful at the moment than he's been at any other stage in his own crusade. Because he's got no regard for death or for the effect of his conclusion upon the rest of earth, his chosen fate sends a resounding reaction through all who see his ending. And what would induce a person to leave his life so openly? Love and departure. Inextricably meshed in the Memoirs of Hadrian by Marguerite Yourcenar and E.L. Doctorow's Ragtime, those timeless states vastly change the outlooks of Emperor Hadrian and Coalhouse Walker Jr.. Despite being divided by centuries, the two men go to extreme lengths for their awareness of love, however, when death intervenes they've curiously opposite reactions. Hadrian is Emperor of the huge Roman Empire, also when he first comes to power he is afire with new ideas of beautification and enhancements for all the states of the Empire, whether the individuals of said provinces wanted to be improved or not. He is secure enough in himself to consider himself, although not a god, something like a lieutenant, "seconding that the deity in his effort to give form and order into a planet, to develop and multiply its own convolutions, extensions, and complexities." (Yourcenar, 144) Following many personal triumphs, he still refuses the accolades that previous Emperor's have felt were rightfully theirs, preferring to let his folks and his.