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The Impact of this Lyrical and Musical Reciprocation in Bach Cantatas 106 and 80 Johann Sebastian Bach has been an 18th century composer, not a theologian, however there are only a few guys in the history of this world who have so thoroughly captured God's character as well as fewer still who've been impressed that character upon men's hearts. While the lyrics or music of his cantatas alone tend to be sufficient to stir a man to action or induce him to tears, so it is the connection between the two which truly appears to reflect all that encompasses God's greatness. Two of Bach's most famous cantatas, "Gottes Zeit ist die allerbeste Zeit" (BWV 106) and "Ein feste Burg ist unser Gott" (BWV 80), are all prime examples of this. The two have couple of similarities and yet they seem to bookend a lot of who God is. With these bits, Bach succeeds at a task where many composers cannot: establishing a ideal relationship between lyrics and music. Through this relationship, he succeeds where many theologians cannot: transforming this excellent God from one who is only feared, to a person who is revered and adored in the hearts of the men. The very first written of the two cantatas, "Gottes Zeit ist allerbeste Zeit" (BWV 106), was most likely composed by Bach in August of 1707 at Mühlhausen, throughout his earliest years old composition. It differs from his later cantatas as it does not include recitative or separate da capo arias for he had not yet been influenced by the popular Italian style. Instead, it was influenced solely by German hymns. What's more, each section of the cantata flows right to the next rather than having different moves of sorts, which is more.