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Magua, the Byronic Leading man of The Last of the Mohicans Traditionally, characters symbolized the ideal member of culture, showing the ethical compass of a tradition. The "last great brave custom in our books," the Byronic leading man, rebels against culture, asking morality (Thorslev 185). The contemporary main character, or anti-hero, internalizes the struggle for reconciliation. Traditional characters symbolize public purchase, Byronic characters symbolize sociable rebellion, and contemporary characters stand for interpersonal turmoil. The melancholic, brooding, separated Byronic leading man thrives on rebellion, the traditional main character flourishes on positive benefits, and the contemporary leading man grasps for purpose. Samuel Taylor Coleridge criticizes the "savage magnificence" of the rebellious Byronic leading man (400). Magua, of Adam Fenimore CooperвЂ™t The Last of the Mohicans, presents brutal rebellion and certainly increases to "savage magnificence." The feared and scorned Magua symbolizes an American edition of the Byronic main character, apparently delivering antithetical characteristics of a traditional main character, exemplified in the Anglo-Saxon world famous leading man, Beowulf. Addressing the greatest their communities have got to provide, traditional characters have features of honor, bravery, commitment, and steadfastness. They personify public beliefs and provide a cause to believe in the likelihood of a significant existence in an purchased, unified culture. The legendary main character trips on a pursuit, suffering from troubles along the true method, and results to culture triumphantly. An example of a traditional hero, Beowulf, an Anglo-Saxon epic hero, relies on his courage, intelligence, and superhuman power as he slays the harmful pushes that threatens the arranged community. He accepts and embraces the social values, never questioning or.