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Southern Racial Inequality in Faulkner’s DECREASE, Moses All of the whole stories in DECREASE, Moses acquired a common thread: the McCaslin family members. One story, nevertheless, stood right out of the rest for lacking a McCaslin primary character. This whole story was, of training course, “Pantaloon in Black.” Initially, I thought this tale of grief was nearly a lovely love story. When Rider lost his wife and first love, he was so grief-stricken he didn’t even care to live. Nevertheless, the final outcome on the story required any beauty out of the tragedy. The matter-of-fact way the deputy tells his wife the whole story, and the more apathetic way that she accepts/ignores it even, was Faulkner’s method of reminding us of the racial inequality in the South. Waiting before end of the tale to toss at the reader the main element to the tale is normal of Faulkner. We noticed him waiting around to shock us by the end of Sanctuary with the conditions of Popeye’s life. He waited until close to the final end of Absalom, Absalom! to construct all the bits of that puzzle. As the reader didn’t find out any shocking news by the end of “Pantaloon in Black,” we were...