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Existential philosophy became prevalent in the twentieth century as a sign of the destruction of tradition and culture after World War II, asserting the hopelessness of humankind and focusing on life at a more honest but pessimistic way than other socialistic philosophies. The philosophy recognizes the fact that humankind is capable of great evil and has unlimited possibilities, yet that is a curse as opposed to a blessing: we are supposed to be free and are thus held accountable for our actions. The ludicrousity, nevertheless, is located at the existentialist belief that existence has no intention, and while the options that people make are insignificant on grand scale, that they ultimately influence our self-definition. Jean-Paul Sartre postulates that existence precedes essence: that the person does not have any pre-defined intent. If God were to make us, he says, he then might have a purpose for our development, but there's no God and consequently we have to exercise our free will to be able to determine our nature. This philosophy is the basis of Beckett?s Waiting for Godot: it's a mechanism utilized to specify the themes of absurdity, uncertainty and hopelessness in a drama that's otherwise perceived as pointless. It is very important to note that existentialists think that a rational account of fact cannot exist. It is absurd that we're just chucked into being ? Why why now? Life is a futile fire since we are not able to rationalize our lives, and therefore, the human condition is just one of anguish. Beckett exemplifies this futility via Vladimir and Estragon: Vladimir originally proposes ? All my life I?ve attempted to place it from me ? And I resumed the battle? (Beckett 2), along with the characters constantly reiterate that there is ? Nothing to be carried out. ? The...