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In Virginia Woolf’s feminist essay “AN AREA of One’s Own,” Woolf argues that “a female will need to have money and an area of her own” (16) if she actually is to create fiction of any merit. The idea as she develops it really is a perceptive one, and a lot more layered and different in its implications than it could at first seem. But I wonder only if Woolf didn't tap the entire power of her thesis actually. She recognized the need of the writer’s financial independence to the birth of great writing, but she didn't uncover the true relationship to great writing of another freedom; for as financial freedom allows someone to inhabit a physical space - an area of one’s own - therefore does mental independence allow someone to inhabit one’s own body and mind “incandescent and unimpeded.” Woolf appears to think that the advancement and expression of innovative genius hinges upon the mental independence of the writer(50), and that the advancement of mental independence hinges upon the financial freedom of the article writer (34, 47). But after consideration of Woolf’s essay and in addition of the recent development in feminist criticism, one realizes that if ladies are to accomplish anything with Woolf’s words and phrases; if we are to do something upon them - to create another chapter in this great drama - we should take her argument just a little farther. We should propel it to its summary to find that actually both freedom from financial dependence and the independence from fetters to your brain and body are circumstances of the likelihood of genius and its own full expression; we should figure out how to ‘move in’: to inhabit and consider possession of, not just a physical room, however the more abstract areas of our thoughts and our bodies. It really is only out of this perspective completely possession of ourselves that the unconsciousness are available by us of ourselves,...