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Power and Privilege Displayed in A Woman on a Roof At Doris Lessing's "A Woman on a roof," three workmen react differently towards a girl sunbathing on a roof. The guys are Harry, who is in his mid-40s, Stanley, who is recently married, and Tom, who is 17. They are engaged in a healthy banter whenever they spot a girl about fifty meters from where they're standing. She is on her back, face down on a brown blanket. Stanley is first to comment, "She's stark nude" Harry agrees, "Looks like it," while Tom cranes his throat so that he may find out more and answers, "She thinks no one can watch." Stanley whistles, however, the girl does not look up. She sits, smoking a cigarette (856). This seems to be one of Lessing's most critically failed stories. In actuality, there are only a few written criticisms about it, and almost all of these concentrate on the different responses of the three workmen. On the other hand, the girl, who is not appointed in the narrative, is also a very intriguing and intriguing personality. When many readers see her as a innocent -- the sunbather who just wishes to be left alone -- there is evidence to prove that she uses her heritage through nonverbal communication to reveal strength and privilege. Sociological perspectives imply that nonverbal communication is of particular importance to women due to their socialization to docility and passivity makes them likely targets for societal management. Sexuality (masculinity or femininity) is not biologically determined but is still part of societal learning. In "Womanspeak and Manspeak," Nancy Henley, Mykol Hamilton, and Barrie Thorne have contended that although women's general physiological demeanor has to be restrained and restricted, and that their femininity is determined by how little (personal) space that they consume. In contra...