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T.S i9000. Eliot’s Effective Make use of of Fragmentation in The Waste materials Property Capital t.S i9000. Eliot’s The Waste materials Property is certainly an sophisticated and strange montage of lines from various other functions, short lived findings, discussions, surroundings, and languages even. Though this approach appears to render the poem needlessly oblique, the composition is usually allowed by this design to attain multi-layered significance difficult in a even more simple poetic design. Eliot’s usage of fragmentation in The Waste Land operates on three levels: first, to parallel the damaged associations and culture the composition portrays; second, to deconstruct the reader’s familiar context, creating an individualized sense of disconnection; and third, to concern the audience to look for meaning in simple pieces, in this enigmatic composition simply because well as in a fractious globe. On the most shallow level, the spoken pieces in The Waste materials Property stress the fragmented condition of the global globe the composition details. Partly because it was written in the aftermath of World War I, at a time when Europeans’ sense of security as well as the land itself was in shambles, the poem conveys a sense of disillusionment, confusion, and despair even. The poem’s disjointed structure expresses these feelings better than the rigidity and clarity of more orthodox writing. This is evinced by the following from the section "The Burial of the Dead": Summer surprised us, coming over the Starnbergersee With a shower of rain; we ceased in the colonnade And proceeded to go on in the sunshine, into the Hofgarten, And consumed espresso, and discussed for an hour. Bin gar keine Russin, stamm’ aus Litauen, echt Deutsch. And when we had been kids, remaining at the arch-duke’s, My cousin’s, he got me out on a sled, And I was scared. He stated, Marie, Marie, hol...