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Writing Methods in Poe's "The Raven" Edgar Allan Poe uses many composing methods to produce a solitary focused impact of endless hopelessness in his traditional composition, "The Raven." The most recognizable technique is normally the use of repeating. Simply as repeated publicity to cool raindrops can cool one to the bone tissue, repeated publicity to words and phrases of hopelessness and gloom produces a relaxing impact. Poe saturates the reader with desperate futility by repetitive usage of the words "nothing more" and "nevermore." These two key phrases, utilized in control yourself to end seventeen of the poem's eighteen stanzas, drench the audience with despair. Poe also uses replication to ignite the reader's awareness. He pertains to the audio of tapping or rapping eight moments in the 1st six stanzas. The unexplained repetitive sound helps the reader identify with the search for answers that the speaker is experiencing. Poe makes usage of repetition to emphasize feeling with the expressed words, "'Surely,' stated I, 'certainly that can be something at my screen lattice'" (33). Duplicating the term "definitely" provides a feeling of desperation regarding the search. Poe uses a medieval environment to produce an atmosphere of gloom. The period can be referred to as "a midnight dreary" (1) in "the hopeless Dec" (7). The great is usually known to through the phrases "ghost" (8), "angels" (11, 81, 95), "Plutonian" (47), "soul" (19, 56, 93, 99,107), "ominous" (70), "unseen censer" (79), "prophet" (85, 91), "thing of bad" (85, 91), "devil" (85, 91), and "demon" (105). The period of night time and the inhospitable weather conditions outside allow no get away from the speaker's step which turns into a holding chamber of apprehension. Comparison intensifies the feeling of gloom. The windy, bleak, Night is contrasted to a room filled with books december, ric...