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Suppression and Subversion through Walls in "Bartleby the Scrivener" In "Bartleby the Scrivener" an older lawyer recounts the tenure of a scrivener, Bartleby, from his office. The development of the employer/employee relationship describes disengagement between opposing social types and its implications. The existence of the subtitle of "Bartleby the Scrivener: A Tale of Wall Street" was given much consideration. Even the subtitle carries the bags of this emerging capitalistic civilization, but additionally, it alludes to the confinement that walls enable. Melville strategically uses architecture in his short story, "Bartleby the Scrivener" to show the disengagement between social classes that capitalism generates. From the narrative, the narrator, representative of the upper course, controls the true physical partition separating him and the scriveners, representative of their lower class. In precisely the same manner that he controls the sliding doors, the lawyer manipulates faith and financial factors to control the separation between him and Bartleby. Architecture is also a component of Bartleby's characterization; he's always staring at a brick wall. Melville is imagining Bartleby's inability to overcome the brick wall. Melville shows in the connection between Bartleby and also the lawyer that the partitions which every puts up aren't without consequence, finally leading to the death of Bartleby. Whereas capitalistic culture constructs that a sky-lit window of opportunity for the lawyer, Bartleby is bound to a fantasy of a brick wall. Melville also utilizes architecture to demonstrate the methods in which each character engages and disengages with another. Ultimately, the architecture of the social classes that a capitalistic culture generates results.