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Through the years, women have frequently been referred to as the inferior gender. In China, women have had to undergo dire circumstances in order to look good in the public eye. From foot binding, to enduring abusive husbands, to becoming concubines in a prison-like home, women have been through hell so as to please their men, and, above all, to please their society. You will find a set of double standards and contradictions to the way people are treated, and that can be shown in the two Lu Xun and Qiu Jun's essays in addition to in the movie, Raise the Red Lantern. Set the scene: it is China during the 1920s and girls don't have a voice. Zoom in to a woman walking into a home that looks like a gray prison-zone. This is her new residence. She is the Master's fourth wife, and her title is Songlian. In the opening scene of the film, Songlian and her mum are speaking about union. Following her mom asked what sort of man she would marry, Songlian responded, "What type of man? Is it up to me? You always talk of cash. Why should not I marry a wealthy guy? ... Let me be a concubine. Isn't that a lady's fate?" (Raise the Red Lantern). Raise the Red Lantern is a movie that depicts how women were treated as objects rather than as individual beings, however, also shows how contradicting it had been to be a concubine in a Master's home. These women were below the control of the Master. They were also fed, housed, and, each night, the Master would select a wife with whom to sleep. The selected spouse's red lantern will be lit, and she would be pampered. This contradicts with the way the girls behave. The Master considers that he is in control, and that, in a variety of ways, is accurate; however, once the Master is not about, the women dominate the home. They fight and endanger each other in...