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When we are first launched to Iphigenie, she laments her existence as a woman, and contrasts it with the entire life of a guy. Goethe's Iphigenia in Tauris abounds with references to gender roles: behavioral norms considered befitting an individual predicated on their gender. Nevertheless, while Iphigenie is normally portrayed as the epitome of a feminine becoming (compassionate, gentle, real/devout, honest and able to communicating1), her interactions with the male heroes concern the construct of traditional gender functions. Instead of being tied to her femininity, Iphigenie proves herself to embody features that are believed quintessentially male characteristics (assertiveness, rationality, and resolve2) to a larger extent compared to the male individuals in the play. Therefore, Iphigenia in Tauris could be read as a disagreement against the thought of strict gender expectations. Through the entire drama, there exists a strong focus on gender. Characters make reference to their own genders frequently, along with the gender of others, with them as a real method of explaining or predicting character traits and actions. The audience is quickly introduced to the main topic of gender roles in society during Iphigenie's opening soliloquy. The type sorrowfully expresses self-pity about her limitations as a female: I will not really judge the counsel of the gods; Yet, really, woman's great deal doth merit pity... How circumscrib'd can be woman's destiny! Obedience to a severe, imperious lord, Her duty, and her comfort; unfortunate her fate... (Act 1, Picture i) With these phrases, Iphigenie isn't only reflecting on the part society has positioned upon her, but about how constricting this role could be. Frequently, the male personas make a claim about the characteristics of Iphigenie predicated on her womanhood. These statements are manipu often...