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Sinner vs. the Sin from the Divine Comedy Frequently when we set out to journey ourselves, we come to places that surprise us with their strangeness. Hoping to discover what's simple and acceptable, we suddenly run across the exceptions. Just as we as self'examiners may experience our inner demons, so does Dante the writer as he lays out to walk through his Inferno. Dante describes his universe - in terms physical, political, and religious - from the Divine Comedy. In addition, he gives his readers a glimpse into his own perception of what constitutes sin. By imitating characters in particular manners, Dante the writer can shape what Dante the pilgrim feels concerning every sinner. Additionally, the reader may look deeper in the text and examine the feelings which Dante, as a author and also exiled Florentine, could have felt about his specific characters. Dante shows through his poetry a few respect for particular sinners, like in existence he had reason to respect their activities on earth, simply to mourn their spirits' fate. In the case of Pier Delle Vigne, it is clear that Dante wants to clear the title of the damned soul that has been conscripted to hell to the shame of unjust dishonor. At the start of Canto 13 we discover Dante the pilgrim entering the wood of the suicides. He has grown more powerful in will at the sight of every circle of distress, however he approaches this one with a sense of wonder regarding the meaning of the suffering. Here the trees are black and gnarled, with branches that bear "poison thorns instead of fruit"(l.6). The spirits of suicides won't ever be effective, presenting even in death, which they expected would free them, only negativity. This pilgrim finds the sinful nature of suicide, it is an aberration of.