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The first two acts of this Tempest discuss a couple of inconsequential similarities and have some very contrasting differences. The similarities are, overall, superficial: The two acts consist of two scenes and the two acts are of a similar length. However, the similarities end there. The spans of the scenes in each action differ somewhat: Act 1 includes one extremely short scene and one quite lengthy spectacle; Act 2 is composed of two scenes of similar span. Also, the tone of every act is quite distinct, with Act 1 being serious and composed, whilst Act 2 is much more comic, frequently abbreviated into pure farce. Analysing one scene at one time will reveal exactly how different the two acts are. Act 1, Scene 1 is entirely unlike the other three scenes in the first two functions. It's fast-paced, uncomplicated and exciting, allowing the audience to be drawn to the drama until the more complex scenes start. The only notable thing in this scene is that the debut of Gonzalo, who is shown for a patient, calm and optimistic individual. None of the other personalities have been defined especially vividly, nor need they be - that this scene is supposed to be action-oriented and too much characterisation and plotting would ruin the tense atmosphere. Scene 2 contrasts greatly with the introduction scene, being lengthy and dialogue-driven, with minimal action in any respect. This scene is very important to the rest of the drama, as it sets up the major background to the principal characters, as well as defining some of those same characters. It's Prospero's character that's explored the many in this scene; he clarifies his background to Miranda, we start to observe the sort of person he is. From his dialogue, an individual can...