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The Phenomenology of Space - Attic Memories and Secrets Since Gilbert and Gubar's The Madwoman in the Attic, critics have assumed that attics home madwomen. But they use that concept as a metaphor for their thesis, so that women writers were treated with approbation. In most literature, attics are dark, dusty, seldom-visited storage areas, like that of their Tulliver house at The Mill on the Floss - a "great attic under the old high-pitched roof," with "worm-eaten floors," "worm-eaten shelves," and "dark rafters festooned with cobwebs" - a place believed to be "weird and ghostly." Attics do not home people (not even mad ones) they warehouse artifacts that carry personal and familial history - frequently a background that has been suppressed. And that history is what makes attics intriguing. - WashingtonвЂ"Contractors installing ductwork in an attic saw a suitcase containing the skeleton of a baby who reportedly died more than 20 years back. [The police spokesman] said the grim bag appeared to be more than 30 years of age. The skeleton that was wrapped in fabric, "seems to have been there a long time, in excess of 20 decades," Eaves said. Police estimated that the baby was 1 or 2 months old at death. The home was constructed in 1928 and has been occupied by the exact same family until the mid-1990s. The final of four older sisters who lived there died in 1995 at age 102, and the home was sold five years ago Houston Chronicle, Wednesday, February 17, 2001 At Suzanne Berne's A excellent Arrangement (Chapel Hill: Algonquin Press, 2001), also a pragmatic architect states "Attics are wasted space," but the household maid, with far more insight into human beings, responds, as I would: "Not psychologicall...