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William Butler Yeats' The Cap and Bells William Butler Yeats's ballad "The Cap and Bells" depicts the behaviour of love via an allegorical accounts of actions between a jester and a queen. Through the use of many symbolic references, the dramatic characters accurately reflect a buff's conduct. Referring to jester-like men during many of the works ("A Coat", "The Fool from the Roadside", "Two Songs of a Fool", "The Hour Glass", etc.), Yeats continually portrays the activities of people as absurd many a times. Coming to him in a fantasy, "The Cap and Bells" likely acquired its source in the obsessive infatuation Yeats had with Maud Gonne. Being an acclaimed actress, Yeats probably perceived Gonne surpassing him in status; her the queen along with him the fool. At this time (1894) Yeats was also growing Irish dramas, and consequently his head sparked dramatic thought even within his dreams. Like most of his poems, "The Cap and Bells" develops a lyrical tone filled with images and emotion. Through this song-like bit, the reader feels both the developing despondency of the jester and the ultimate affection from the queen. Through his strong use of imagery and symbolism, Yeats suggests that love makes a fool of every man. From forfeiting the soul, the soul, and finally physical life, Yeats highlights hyperactive' willingness to sacrifice all of the elements of his life to sense the complete and irresistible passions of love. During "The Cap and Bells" Yeats always draws on symbolism to express several elements of love. With the whole poem present as a subtle allegory, the writer encourages a reader to translate and search for significance. Since Yeats opens with "The jester walked to the garden" that he immediatel...