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Generation Annals of Samuel Beckett's Waiting for Godot Samuel Beckett was forty-two years old and living in post-war Paris when he wrote Waiting for Godot as an exercise to help rid himself of this writer's block that was hindering his role in fiction. Once he began, he became increasingly absorbed in the play, and scribbled it almost without hesitation to a soft-cover notebook in a creative burst which lasted from October 9, 1948, before he completed the typed manuscript on January 29, 1949. After some revision, then he offered the script to a number of producers, however, it was denied. Although Beckett himself gave up hope using the script, his wife was more insistent, and, acting as his agent, she chose to approach manufacturers. Finally, she met with actor/producer/director Roger Blin, who had produced a series of four under-funded along with under-attended productions of Synge and Strindberg. Blin was immediately delighted with this piece. Unfortunately, money to create the drama was hard to come by. Years passed between the writing and the real production of this job. At the meanwhile, while Blin continued to search for backers, he labored together with Beckett to flesh out the play in picking out costuming (Beckett had only imagined the bowler hats), fashion, and movement. Blin never requested Beckett to analyze the drama, noting that "The play struck me as so wealthy and unique in its own nudity that it appeared to me improper to question the writer about its meaning." Rather, Blin worked almost instinctively through the three decades of sporadic rehearsals. Casting was challenging; although he was quite sure of his choices, contracts were only drawn up a few weeks prior to opening. Of necessity he wound up playing the role.