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The Yellow Wallpaper by Charlotte Gilman “The Yellow Wallpaper” compiled by Charlotte Gilman can be a chilling portrayal of a woman’s unpredictable manner towards madness after going through treatment for postpartum unhappiness in the 1800’s. The narrator, whose name nameless remains, represents the a huge selection of middle to upper- course women who were identified as having “hysteria” and recommended a “rest” treatment. Although Gilman’s tale was a heroic try to “save folks from being powered crazy” (Gilman p 1) by this kind of “cure” it was a lot more. “The Yellow Wallpaper” opened up the eyes of several to the obvious oppression of ladies in the 1800’s and “most likely the only method they could (unconsciously) withstand or protest their traditional ‘feminine’ work-or over-work” (Chesler p 11) by heading “mad”. To ensure that the reader to comprehend the psychology of the tale, they must understand this kind of diagnosis of women in the 1800’s and the supposed cure. This treatment, created by Dr. S. Weir Mitchell, was a prescription of nearly total isolation and inactivity. “Passivity was the primary prescription, along with warm baths, cool baths, abstinence from animal spices and foods, and indulgence in milk, and puddings, cereals, and ‘mild sub-acidfruits’” (Ehrenreich and English p 49). Gilman, herself, was treated by Dr. Mitchell and underwent the same treatment as the heroine of the tale. This wise man put me to bed and applied the others cure, to which a still good physique responded so promptly that he concluded there is nothing much the problem with me, and sent me house with solemn advice to ‘live as domestic a complete life so far as possible’, to ‘have but two hours’ intellectual life a day’ and ‘never to touch pen, brush or pencil again’ for as long...