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Illusion of Love in Shakespeare's A Midsummer Night's Dream The play A Midsummer Night's Dream is centered around topics which are seemingly apparent and clear: people of authentic love, false love, love's blindness and the inconstancy of love. However, this pattern of the topics of love dissipate to reveal that these themes are only clear to the reader that wants them to exist. We need Lysander and Hermia to be in love; we want Demetrius to love Helena as she loves him, but the issue arises as to whether these lovers are in fact in love. Is Shakespeare supplying us with a wholesome story of real love or is he dispersing something more raw, more intriguing than this? When taking a closer look in this particular play, one sees a recurring routine and also another common theme - that of sexuality and lust. The romance in this play is still an illusion, the reality is that this play is based around sex and desire. A common focus in A Midsummer Night's Dream is that of sight and eyes. The words "attention," "sight," and also "see" occur a total of one hundred seventeen times during the play (Berry). An individual may suggest that this eye imagery conveys the theme of love more ardently as "love is blind" or that love enters through the eyes (Vaughn, 73). However, the eyes are all centered on the physical universe; love isn't predicated on sight alone. The physicality of both Shakespeare's use of sight is an immediate result of lust. One does not love with their eyes, one enjoys with the heart and head; one desires with one's eyes. Similarly, the physicality of this play can be maintained through the constant profession of physical beauty. Helena laments that she wants she looked just like Hermiaso, teach me how you look, as well as what art, You sway the motion of Demetr...