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Macbeth and Lady Macbeth in Theory and Practice Shakespeare's Macbeth has become the topic of scholarly study in terms of vision, politics, and novelty. The most overriding analysis is that of the relationship between Macbeth and Lady Macbeth. This connection in theory is filled with sexual innuendo, maternal ability, gender transgression, and violence. In reading numerous essays about the emotional nature of the relationship one question came to mind: to what degree are the figures aware of the psychological effect they have on each other in functionality? Compared to the Many documents by literary scholars, Sinead Cusack wrote with Carol Rutter at Shakespeare's Late Tragedies concerning her procedure of preparing for the role of Lady Macbeth to the Royal Shakespeare Company. Although her choices aren't the only choices which may be created by an actor in that job, her experience contrasted the theoretical models written by so many scholars. Her connection with Macbeth had been real, not a theoretical analysis of the emotional impact that the characters have to one another. Through her composed procedure and the evaluation of the scholars said above I shall outline the dichotomy between theory and functionality and also the relationship between Macbeth and his Lady. Lady Macbeth and the Witches Jane Adelman summarizes the psychoanalytic interpretation of the relationship between Lady Macbeth and the Witches (ibid 140). Lady Macbeth and the Witches signify for Macbeth the role of both temptress and mother, an issue which will be explored more completely below. Adelman asserts that the Witches tempt Macbeth about the cosmic plain, whereas Lady Macbeth tempts him on the psychological plain (ibid 139). Each one of the female figures r.. .