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We have all noticed the African proverb that says, “It requires a village to improve a young child.” The response distributed by Emma Donoghue’s novel Room, states simply, “If you’ve got a village. But in the event that you don’t, then probably it just takes two different people” (Donoghue 234). For Jack, Room is certainly where he was created and has been elevated for days gone by five years; it really is his home and his world. Jack’s “Ma” however knows that Room is not a true home, in fact, it really is a prison. Since Ma’s kidnapping, seven years prior, she's survived in the shed of her capturer’s backyard. This novel contains literary components that are not only crucial to the whole story but give significance as well. The Point-of-view brings a robust perspective for the audience, as the setting and atmosphere not merely affect the characters but evokes emotion and provides the reader a mental picture of their lives, and the impacting theme with conflict along-side, both external and internal, are demonstrated through the entire novel. The author chooses to write the novel through the optical eyes of the primary character and narrator, Jack. Jack’s perception of the globe is normally confined to an eleven foot square area. His world consists only of the objects in his room and his Ma. Due to his limited quantity of knowledge of the exterior globe the narrator uses personification that allows the reader to observe his existence through his eyes. “Great night, Balloon and lamp. ” I await Ma however, not saying any more of these she’s. “Good night Jeep, and Good night, Remote. Great night, Rug, and Great night, Blanket, and Great night time, the Bugs, and don’t bite.” (Donoghue 61) In this passage, Jack does his nightly schedule of stating goodnight to different items in Room that are essential to him. He's taught, through the decision of his Ma,...