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Throughout this special class, we have researched many incredible facets of the Dine' people. From tales, to pieces of art, to the language itself, the attractiveness of Navajo culture is readily seen by those who have the fortune to come into contact with them. Unlike Navajo civilization, but the Western world uses a very loose definition for "beauty" that generally revolves around bodily traits: a gorgeous girl usually looks a specific way, a beautiful voice usually seems a specific way, and a beautiful painting typically looks a specific way. The Western world only looks in physical attractiveness and out of that vision has developed a formulation for what is and what isn't considered beautiful. To the Navajo People, beauty is a far deeper, much more meaningful concept. As we have explored in course, the beauty way of life, hozho, principles the manner that a Navajo person should act and interact in everyday life. Hozho isn't only physical but also psychological, spiritual, and meaningful. Gary Witherspoon explains this theory in his book, Language and Art in the Navajo Universe: "The Navajo does not search for beauty; he generates it within himself and projects it on the universe." (151) This implies that, unlike in Western culture, a Navajo person does not simply observe the physical attractiveness that's on earth. They create hozho in their minds and spirits. Navajo men and women know beauty as a "conceptual experience" instead of a "perceptual one". Witherspoon provides a version of the Navajo world that is a cyclical one: out of active to inactive and static to busy. The idea of "hozho" is an equally energetic on that needs movement, thought, and activity. Once a Navajo person has resolved to dwell from the beauty manner, hozho could be materialized in external ways that are observable and audi...