Get help with any kind of assignment - from a high school essay to a PhD dissertation
In the close of the play M. Butterfly, a jailed French diplomat turned spy called Gallimard says, "There is a fantasy of the Orient I have" (Hwang 3.3.7). In that moment he is implying that there are still amazing ladies, as he thought his "Butterfly" was. This is suggestive of the colonial allure. Colonization is made possible by one society characterizing another in a means that makes it appear to be a fantastic idea. The characterization of these cultures, like the Orient or even Africa, is performed via literature, works of art, and drama. Certainly, poems, plays, novels, and stories are only a few of the ways used to convince the masses of a contemporary state of this justification to purge. If one needs to rebel against colonization, an individual would need to put corruption upon the colonizer so to support the liberation. This approach looks to be accepted in drama, where there are two excellent examples of postcolonial literature, M. Butterfly by David Henry Hwang, and A Tempest by Aime Cesaire. Both plays are re-worked variations of and Puccini's opera, Madame Butterfly and Shakespeare's The Tempest, and keep comparable characters and basic plots. Shakespeare's and Puccini's works generated symbols of different cultures. Caliban is the black devil, and Cio-Cio San is your beautiful "Butterfly." These symbols have become stereotypes in Western culture, and formed, the justification for colonization. To pin these works against the notion of colonization, Cesaire and Hwang must greatly alter the content. They do so, but they also mimic the styles of the original versions. A Tempest is written in modern English, and Shakespeare's songs are substituted with slave tunes. Hwang dr.. .