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Wuthering Heights by Emily Bronte Much significance that wasn't overtly written into Emily Bronte's Wuthering Heights can be discovered by using Freudian interpretation. This significance was not consciously meant by Bronte, but may be very interesting and beneficial in finding significance in the publication. Freud used fantasy investigation, symbolism, and psychoanalytical techniques to find significance that was not evident in his patients another areas of his analysis. In his book, Darwin's Worms, Adam Phillip says that Freud had been "involved with taking God out of the film, leaving nothing between us and character" (Phillip 1). This statement directly correlates with the narrative and the figures of Wuthering Heights. One of the chief topics of this book is that of natural, instinctual desires. The passion between Catherine I and Heathcliff has been called "semi-savage" (Jerrold 302) because of the rawness and naturalness of it. Heathcliff himself is also quite close to nature. He is unrefined and acts solely on instincts and desires. Even though there are many religious references in the novel, God isn't depicted as a being with sole control over the lives of these characters. Nature plays a lot more of a controlling variable than God in the narrative. Natural instincts, in addition to physical nature itself drove the lives of the characters of Wuthering Heights. They acted on passions and desires and were affected by the outside world around them. As an instance, when Lockwood fell ill, it was not a work of God, but a direct consequence of nature. Dreams play a large part in the narrative of Wuthering Heights. Throughout Lockwood's first visit to the Heights, he has a night full of dreams and nightmares. Each one associated with what Heathcliff had just read about the windowsil...