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Bram Stoker's novel Dracula, published in 1897, investigates various sexual erotic chances in the vampire's embrace, as discussed by Leonard Wolf. The book confronts Victorian anxieties of homosexuality; which were present at the time as a result of identification of playwright Oscar Wilde. The vampire's embrace could also be translated as an example of Victorian anxieties of the shifting role of the women. Thus it's important to think about: the historical context of the publication; the Victorian notion of the 'New Woman' especially the character of Lucy Westenra; the inversion of sex roles; ideas of sexuality; along with the emasculation of men, by diminishing their power on women; in the book Dracula. In doing this I'll have the ability to explore the impacts of the vampire's embrace in detail, and attain a larger understanding of the wide range of sensuous undercurrents Stoker integrated into the novel. Stoker was born in Ireland in 1847, and later he graduated from Trinity College in 1867, also united the civil service. While functioning, as a freelance journalist and drama critic permitted him to fulfill Henry Irving and entered London's literary circles, which included figures such as Arthur Conan Doyle and Oscar Wilde. In the plan of Irving's tours he also had the chance to travel round the world. Stoker later married Florence Balcome, who'd previously had a romantic affair with Oscar Wilde. In my opinnion Stoker could not fail to get infuleced by these people while he was composing Dracula. In Dracula, Stoker relied greatly upon the conventions of Gothic fiction. Traditionally gothic elements like dark and sublime settings, along with the innocent jeopardized by the ineffable evil clearly feature in Dracula. Stoker modernises his book by bringing the collection...