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Canadian writer, W.O. Mitchell, is fascinated with the significance of life. Whether this is due to growing up through the depression or simply reminiscent of Mitchell's profound philosophical thinking, this motif constantly shows up in his or her work. In both his humorous drama, The Black Bonspiel of Wullie MacCrimmon along with the flashy children's Canadian classic, Who has Seen the Wind, Mitchell tackles the age-old question with elegance, humor, as well as attention. Not only is Mitchell concerned with the minute information of human existence, throughout his job, Mitchell constantly arouses a Canadian persona and generates literature dependent on the nation. Regardless of Wullie MacCrimmon becoming a Scottish personality, the play itself is set in Canada through a curling bonspiel. Who has Seen the Wind is characteristic of Canada's prairie provinces and creates a true portrayal of a kid growing up within this landscape. Wullie and Brian are equally worried about the existence of both God and evil forces in the world and their beliefs is tested through the texts. As Who's Seen the Wind is a post-depression text, Brian's world is bleak and the idea of God is difficult to discern. In The Black Bonspiel, also a post-depression text, it becomes difficult for Wullie to trust in God because his church experiences changes in its own belief system. Who's Seen the Wind is a fascinating experiment in literature, since it is written through the lens of a young child. While this is a hard literary exercise, Mitchell's story that's told through the eyes of protagonist four to twenty year old Brian, Who has Seen the Wind is a heartwarming, delightful tale of the pride and betrayal of growing up in Canada's prairie provinces. "Together with the prairie he had known as a kid to stand in for...