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An Entire Cleopatra In the tragic drama Romeo and Juliet, Shakespeare remarks, "What is in a name? What we call a rose / By any other word would smell as sweet" (2.1.85-86). A word can have many meanings depending on a person's perspective. Cleopatra is a "rose" that's been depicted under many titles. Throughout history numerous authors have sought to depict her character as well as their differing opinions have made her title one which resounds in very different ways. Even the Roman historian Plutarch made Cleopatra the political manipulator; John Dryden exemplified Cleopatra the ultimate sexual girl; George Bernard Shaw provided Cleopatra the uneducated impetuous young child-queen; also, Geoffrey Chaucer wrote of Cleopatra that the martyr of love. The nature of Cleopatra introduced by Shakespeare is really a intricate combination of every one of these attributes and is hence the most memorable and meaningful depiction. The Cleopatra that emerges from Plutarch's writing is a manipulative and scheming political girl who controls both Julius Caesar and Mark Antony. In his Roman character, Plutarch provides a biased historical accounts of Mark Anthony with regular references to Cleopatra. According to M.S. Mason, Plutarch does not fulfill his job as an objective historian and deliberately vilifies the personality of Cleopatra (Mason). It's practically a completely negative portrayal of this Egyptian queen. She's referred to as a "charmer" (Waterfield 343) using "devastating effects on Caesar" (514). Her "eloquence [and]] cuter adorable" (382) have been described as a means of drugging and enchanting her men (392). Plutarch describes one particular position when Cleopatra is afraid of Octavia's political ability and she moves about yelling and starving herself to control...