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Emma's Path to Destruction at Madame Bovary In his song, "Instant Karma! ," John Lennon yells an ominous warning to his listeners: "Instant karma's gonna secure you gonna knock you right in the head / better end up together, darlin' / pretty soon your gont be dead... " The topic of his scorn might happen to be conservative conservative Americans bent on the abolition of social progressives, but clearly anybody can gleam a bit of wisdom from these blunt counsel. Even Gustav Flaubert's eponymous heroine, Emma Bovary, could have managed to escape her gloomy cycle of misfortune, disappointment, and utter despair had she knew the comparatively simple Hindu law of karma Lennon alludes to here, which says: "Any action whatsoever is the effect of an origin and is in its turn the origin of an effect" (Zaehner 4). For according to this legislation, each odious act perpetrated by Emma Bovary had an equally odious effect on her potential; consequently one may assume that, had she done good, or done enough jobs for the sake of someone other than herself, her ultimate destiny wouldn't have been so dreadful. Since Flaubert has it, nevertheless, Emma Bovary's myriad, abhorrent acts of deceit, adultery, and self-serving manipulation of those who take care of her eventually lead her on that shadowy, cyclical path that often ends, as in this instance of Madame Bovary's doomed protagonist, with tragedy. Traditionally the Hindi faith recognizes karma as a force gathered throughout the life that serves as catalyst for the events and situations one will experience in the next life. To understand the impact of karma on Emma Bovary, an individual has to examine her as having lived three distinct resides: daughter, wife, and mistress. Throughout her first.