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Un-naturalistic When discussing John Steinbeck's "Great American Novel," East of Eden, several obvious topics come into mind. Steinbeck's many biblical allegories to Genesis, more especially "Adam and Eve", "Cain and Abel", and even "Pandora's Box" come to mind. But, if a reader wants Steinbeck's story to come alive, it's necessary to not look past the allegories and Steinbeck's running themes of good overcoming evil, but to look deeper into the way he used them to create his own story in a non traditional way. To get this done, it is very important to look at how Steinbeck was categorized as a writer and the way he took his classification and challenged his readers to watch through and look farther into the text. Throughout the next few pages, I'll explain, together with Steinbeck's novel, East of Eden, '' his own words concerning the text, along with outside scholars to show that Eden wasn't a naturalist prose but actually Steinbeck's answer to naturalistic writing. By first discussing naturalism, I will show through Steinbeck's Eden, that it is unfair to categorize Steinbeck himself as a thoughtful author and explain how he displays this throughout the text. Using biblical allegories, and most importantly his running theme of good overcoming evil, Steinbeck breaks his pragmatic stereotype and reveals that destiny isn't predestined but that lots of characters during his text are able to conquer their destinies and choose their own paths. Before discussing how Steinbeck's Eden at un-naturalistic, it is important to first examine naturalism for a motion of literature. Once naturalism is defined, it'll be able to function as compared to Steinbeck's Eden. Naturalism spanned with American authors between the years of 1890 and 1920and some dates vary as a few pragmatic.