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Cinema as Intertext in Midnight's Children Saleem in Midnight's Children creates an accurate evaluation of India when he says, "nobody from Bombay should be without a simple film language" (Rushdie 33). Bollywood, the funds of the movie industry in India, is the largest producer of motion pictures on earth. A huge proportion of those films are either mythical romances or musicals and frequently they last more than three hours later on. While watching Indian theatre are a painful ordeal for Western viewers, Indians adopt the industry and are very pleased with their theater heritage. Indians would assert that it's the different differences in Bollywood filmmaking that sets India besides the Western world. It's the urge to separate themselves from Western civilization which makes the Bollywood film industry so successful and reports to get India's obsession with movie. However, while movie is a major portion of Indian culture, cinema does have its roots in the Western world. Salman Rushdie uses intertextuality to describe how Indian society changes the Western influence of theater to state Eastern culture and the way that theater hastens the narrator Saleem as unreliable. Intertextuality is the procedure for deriving meaning from the ways that texts stand in relation to one another. Here is the theory that all writers imitate styles, themes, and ideas from preceding authors and, therefore, no text is completely original. Thais Morgan asserts in his post "The Space of Intertextuality" that there are two distinct levels of intertextuality: "influence" and "inspiration". Morgan states, "Text A affects text B once the critic can show that B has 'borrowed' arrangement(s), theme(s)), or image(s) from A.