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Modern Man at T. S. Eliot's The Love Song of J. Alfred Prufrock Thomas Stearns Eliot's poetry was of excellent influence in revealing to man his identity throughout the last fifty years. On Eliot, the modern man is no longer the ideal creature ever made by God. He's neither a being greatest whatsoever. Nor is that the all-knowing, the most decided, and the sociable creature one could consider. How is this modern guy portrayed in his poetry is a matter which would take time and meticulous effort to be answered. Yet some features of male are far more evident in his poetry: Man endures an impoverishment of emotional vitality. He lives based on the rules of the vacant societal conventions and people with a decadent civilization. Person's life is partially sordid and sensual. He is to some extent conscious of his isolation and footlessness. He feels himself entangled in a corrupt, decaying, Ugly Society. All of these features, however, might be categorized into three main groups. Each group, in turn, would show a collection of subsidiary concerning issues which would earn a whole thing. The duplicity of Man, lack of communication of Men, and Person's isolation are 3 basic predicaments of Man, making him increasingly alienated. Though, these motifs are common to Eliot's poetry the author here tries to trace them in his "Love Song" (The Waste Land and Other Poems 12). The feeling of duplicity over the modern man is a significant theme in Eliot's "The Love Song of J. Alfred Prufrock" (12). In this poem that the hero, Prufrock, is helplessly caught in a interminable relationship between his own desire to dwell by himself and the duty to bow to the societal conventions. Eric Sigg in his book, The American T.S. Eliot,...