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An Evaluation of the First Paragraph of O’Connor's The Artificial Nigger ? Back in "The Artificial Nigger," Flannery O’Connor commingles characteristic Christian vision with topics evocative of her Southern setting. In this informative article, a detailed reading of the first paragraph of the narrative elucidates the subtle ways that O’Connor sets up those basic themes of redemption and forgiveness. An additional paragraph will examine the ramifications of the studying on the combined racial aspects of the narrative, which can be connected by a common subject of master/servant vision, which is integral to the very first paragraph. Within this narrative, the important character is called Mr. Head, which instantly indicates to the reader which this personality is suggestive of rationality and possibly especially pride (as in the expression "having a huge mind"). This is appropriate since Mr. Head's change throughout the narrative will emphatically revolve about his spiritual and Christian-oriented awareness of the plight of man and the problem of pridefulness. Mr. Head "awakens" (really, the entire story sees his waking) at the night into a room "filled with moonlight." From the very start, elements of light and dark are vying in the story's backdrop, also in this scenario, it's a light that shines through the shadow. O’Connor, during the uses of dashes, alerts the reader to your moonlight being "the color of silver," the very first of several silver/gray references during the story. It's hard not to revolve this references into the thirty pieces of silver that Judas received for betraying Jesus. Such a reference is in accord with the story's themes of betrayal and validity (even though Mr. Head's refusal of the grandson Nelson is perhaps more reminiscent of Pete...