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A listing of the Victorian and Modernist Perceptions like Exemplified by Dover Beach and The Love Song of J. Alfred Prufrock Matthew Arnold and T.S. Eliot, within their respective poems, discuss a sense of alienation, not only from others but from nature and God also. Arnold is composing in a era once the area of man in the world is coming to question, to the first time since the dawn of Christianity. He can no more have the same solace in character and the love of God that his Romantic predecessors did. While Arnold opinions on isolation, however, he still handles himself to a lover in Dover Beach, whereas Prufrock is presented as a guy who has completely retreated within himself. Eliot's isolation is complete. In the industrialized age of Arnold, people no longer have been able to look upon nature for inspiration; that the unpopulated country of Wordsworth's time was no longer available to a centralized individuals. The higher pace of lifestyle and urban crowding obviated the Romantic's luxurious of reflection in natural solitude. Even though the poet finds character in Dover Beach, the experience is metaphorically helpful, but maybe not an end unto itself, nor does it deliver any comfort. Rather, Arnold utilizes the futility that he sees from the ocean's tides to exemplify the fruitlessness of individual endeavor. Even though the sea appears calm [line 1], under the surface there is this almost unkind drama being performed, as the pebbles are pulled and flung from the waves and hauled back again, making a "grating roar." [lines 9-12] The image of human beings as pebbles on the sand recurs at the next stanza, when Arnold refers to the "Sea of Faith" which has withdrawn and left the rocks exposed as "naked shingles." Eliot afterwards also repudiates t.. .