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Star Wars because Church History Koenrad Kuiper, writing in the Journal of Popular Culture at the mid 1980s indicates that "[the] Star Wars trilogy creates and recreates imperial myths which function to preserve imperial culture" (77). He goes on to argue that the Empire of George Lucas's long ago and far away world recreate these myths for us now as, essentially, a kind of social control. Since Kuiper was composing, however, we've been graced with the first in the Star Wars series, The Phantom Menace. The Phantom Menace has been opened to tepid reviews and also the anticipated box-office achievement. Its staying-power was somewhat disappointing for all at Lucasfilm, but the movie has definitely made a cultural effect. Interesting in light of Kuiper's thesis is that this latest addition to the Star Wars mythology concerns itself with just two starts: the beginning of the evil Empire of the other few films, and the beginning of Anakin Skywalker, dad to Luke Skywalker and the future Darth Vader. The genesis of both the Empire and Darth Vader at one film is more than coincidence. Rather than Star Wars sustaining an imperial myth, the new film argues for an instance which the series, taken as a whole, represents an intricate commentary on the foundation of Christianity, by its pure beginnings to the final corruption as a quasi-political entity controlling much of Europe. The first and most notable suggestion of this is that the fact that Anakin Skywalker's is a virgin birth. After Qui Gon Jinn, the Jedi master who trains Obi-Wan Kenobi, inquires Anakin's mom who the young prodigy's dad is, she responds: "There is no father." Young Skywalker is later described by Jinn as a "virgence": a virgin birth. The decision that.