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In The Metamorphosis, throughout the characterization of Gregor Samsa, Franz Kafka will query the existence of unconditional love. Through the post-modernist era, writers argued against society's ideas and habits, and Kafka decided to narrow it down to focus on was that the absence of love among people in this moment. Kafka starts by creating his argument clear through a through description of Gregor's room, which can be portrayed as a isolated area at the house for Gregor. He afterwards goes to explain Gregor's character as one who is devoted to his loved ones and gives little time to himself and his own social life. Also, Kafka's selection of what creature Gregor is changed into, a large insect, helps establish the idea of their Gregor's unimportance into his family and the thought that Gregor's disability now leaves him a pest as opposed to one who the family needs to take care of more. By joining the setting of the space, together with Gregor martyr like personality and his bug like existence according to his loved ones and culture, Kafka may justify his idea of the non-existence of heterosexual love now in society. Through the description of the setting of the room, Kafka exemplifies Gregor's feeling of alienation from others. From the very beginning, Kafka depicts a "normal human bedroom, even if a bit small, lay quiet between four familiar walls" (Kafka 7). By means of this thorough description, establishes that Gregor lives an extremely silent and alienated life, entirely dedicated to his loved ones and responsibilities together with his boss and job. By demonstrating his alienation from culture and dedication to being in the home, Kafka depicts Gregor because the only character in the narrative to unconditionally love somebody, which will be his loved ones. This comparison between the number of characters who truly.