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At Charlotte Smith's Elegiac Sonnets, Smith uses character as a vehicle to express her complex emotions and yearning for a renewal of her soul. Using the immortal characteristics of the tempestuous nature of the ocean, Smith makes a magical world that's both a comfort and a hindrance to her tortured soul. Even while spring could provide her with temporary solace as well as the sea is a buddy in her sorrow, both parts of nature always remind her of something she'll never have the ability to accomplish: the renewal of her anguished spirit and total joy in life once more. During three of her sonnets in this group, Smith connects with the various parts of character and exhibits her thoughtful character with her envy over nature's ability to easily renew its attractiveness and vitality. In "Written at the close of Spring," Smith's next sonnet, she targets the wonderful ability character has in rejuvenating itself annually. Smith personifies Spring at the way it "nurs'd in dew" its flowers as though it had been nursing its children ("Close of Spring" 2). While it generates life, Spring isn't human, because it has this ability to come back after its time has passed. Human beings grow older and die; we lose our "fairy colours" through the abrasive nature of life ("Close of Spring" 12). Smith is mournful that humans cannot be like the blossoms of Spring and regain the colours of our lives after every year. Normally when comparing the era of sensibility with character, we see this great grasp of nature as a whole. In Smith's poems , we do see this, but mostly in this sonnet we view a jealousy of nature. Smith can connect with the beauty of Spring on a certain degree; it is something which attracts her a little quantity of...