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Feminine Representation in Shakespeare's Hamlet Abstract: This essay employs Feminist Criticism, New Historicism, and Marxist Criticism, to investigate the portrayal of Queen Gertrude and Ophelia. Because Shakespeare's Hamlet centers around the inner struggle of the Prince of Denmark, the reader focuses mainly on his words and actions. An often overlooked or under appreciated facet of the play may be the portrayal of the feminine characters, queen Gertrude and Ophelia particularly. There are two scenes specifically offering insight into this topic. In Act I Picture III, Ophelia receives suggestions from her dad, Polonius, and her brother, Laertes. Similarly, Gertrude is usually confronted and recommended by Hamlet in Act III Picture IV. в The three most engaging and useful ways of interpreting these scenes include Feminist Criticism, which views literature from the perspective of women; New Historicism, which observes literature with regards to history and culture; and Marxist Criticism, which examines literature within the parameters of social class and structure hierarchy. These educational institutions of criticism give a unique knowledge of the scenes; each one offers a different focus, offering maximum insight from the written text. In both highlighted passages, the theme of feminine representation is certainly explored. In Take action I Scene III, both Polonius and Laertes counsel Ophelia on her behalf romantic relationship with Prince Hamlet. They warn her of the implications of her actions and the results of even the hint of impropriety. Both guys recommend her to "keep you in the trunk of your affection, out from the shot and threat of desire" (1.3.33-34). On her behalf own status and that of her family members, she should never become (or stay) associated with the pr...