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When writing any kind of narrative, be it book or poem, fiction or non-fiction, scholarly or humorous, a writer must take into account the best manner in which to effectively communicate the message for their viewers. Choosing the wrong type, or method of talking into the reader, can lead to a drastic misunderstanding of the significance in a author's articles, or what exactly the author wants to convey (Baldick 69). Although there are a lot fewer words at a graphic novel than in the average publication, an author can convey just as much material and meaning through their images as they can through 60,000 words. In order to do that however, their usage of form must be thoughtfully considered and regulated. Marjane Satrapi, author of this picture memoir The Complete Persepolis, took great pains at the creation of her panels in order to strengthen and emphasize her storyline, much like a novelist utilizes punctuation and paragraph breaks. Through her portrayal of darkness and lightness, Satrapi shows that literary material affects, and so is primary to, the kind. Lightness and darkness come with very different meanings from the individual mind because lightness is synonymous with innocence and naïvety while darkness interferes with all things frightening and evil. Throughout the memoir, many situations are repeated but to different levels of severity. As an instance, on pages 113 and 145, Marjane is arguing with her mother. However, the first instance is simply a minor act of preteen rebellion while the second alludes to the chance of state-sanctioned rape and execution. At first glance, these pages are extremely alike; Marjane's mother is clearly mad and invades upon her daughter's personal space as she talks and.