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Sigmund Freud's Psychoanalysis as Well as the Flowers in Amy Sherman-Palladino's Gilmore Girls

Project id 1003823
Subject area Arts Entertainment
Document type Essay
Words 3416
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Amy Sherman-Palladino, the founder of Gilmore Girls, essentially wrote the show about nothing. After not having a project for years, Sherman had writer's block. On tv, everything she watched seemed the very same, indistinguishable characters and paralleling plots, so she wanted to make something different. After, she had visited the small city of Washington, Connecticut and loved the "everyone knows everything" thought. So she thought, "Why not make a series about it?" After tweaks from the production company, Gilmore Girls was born. Despite the fact that it's a show about a single mom, by nitpicking through nature's witty banter, one can see the philosophical aspects of the series. Among Sherman's main goals was to create no analogous characters. In this effort, she left them all have extreme personalities. Lorelai, the only mother, normally only thinks of himself. Her daughter, Rory, is that which keeps her in check. Rory is plausible and utilizes motive to contradict Lorelai's carelessness. Emily, Lorelai's people-pleasing mum, is engrossed with society's own perspectives and scarcely thinks of her or anyone else's pleasure. When analyzing those characters, one can see that they closely relate to conflicts that arise in our own mind on a day-to-day basis. The principal personalities in Gilmore Girls parallel Sigmund Freud's psychoanalysis of the mind. Sigmund Freud believes the identification is inherent in a young child, it behaves on pure instant pleasure. As the child grows old, it develops that the regulatory self which faces the self-improvement id with logical decisions. As some people age, their self may not develop as anticipated. Lorelai Gilmore is Freud's idea of the id, embodied. If she makes decisions, logic is normally an afterthought as she usually believes only of her happiness. Throughout.

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