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During the early twenties, poets were able to mourn the loss of a child publicly by composing elegies, or poems to lament the dead person. Katherine Philips and Ben Jonson were just two poets who composed the favorite poems "On The Death of My Dearest Child, Hector Philips", "On My First Son", and "On My First Daughter" respectively. Even though Philips and Jonson's elegies contain apparent similarities, the differences between "On the Death of My Dearest Child" and "On My First Son" especially are pronounced. The emotions displayed from the elegies are extremely different when considering the sex of this poet. The grief shown by a mother and dad is an important theme when comparing the approach of mourning in the two elegies. Katherine Philips gained a lot of attention for a poet after composing "On the Departure of My Dearest Child, Hector Philips". This poem was written in a way to provide readers a psychological account of a mother thinking about the adventure of losing her son or daughter. Philips expressed deep emotions from a maternal standpoint in the elegy. Contrary to Jonson, Philips had the unspoken right of claiming a profound maternal relationship with her son through pregnancy and childbirth. Philips' approach to writing "On the Departure of My Dearest Child" illustrates that the hassle of losing her son, Hector, was enough for her never to write another verse again. Just as Katherine Philips, poet Ben Jonson also composed two elegies, for his son Benjamin and daughter Mary, entitled "On My First Son" and "On My First Daughter". Jonson's son expired the early age of seven, and he voiced the powerful, private bond between them throughout the years Benjamin had been "lent" to him. Jonson actually comes out of a place of regret and self-condemnation whilst writing this elegy. His strategy to "...