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Charles Alan Sylvestri’s poem “Leonardo dreams of hid flying machine” is certainly a dramatic tale of wish and optimism that requires the listener on an excellent adventure in to the great unknown. Leonardo features as the agonist of the poem who's “tormented” by his have to fly and contact the sky. Finally, after very much planning and dedication Leonardo requires a great leap of faith along with his flying machine and his dreams of trip are consummated! To be able to completely encapsulate Leonardo’s conquest of the almighty heavens it could only be fitting to really have the text set to a complete orchestra along with a SATB choir. This is actually the only mixture of instrumentation and vocals that may fully catch the piece’s dramatic tale (save a Wagnarian music drama). A complete orchestra is normally a glorious moderate that can be utilized to accommodate the entire range of feelings embodied in the poem due to the breadth of orchestral timbre. In with the orchestra parallel, a four-person choir is usually well suited for the lyrical expression of the poem because of the wide selection of notes that may be sung by the soprano, the everyone and bass among. The elements of the poem sung by the entire choir will be done within an imitative polyphony texture utilizing malismas on the repeated line “Leonardo, Leonardo, viene á volare” to accentuate the actual fact that line is a “siren-song” sung by “the air itself.” However, a lot of the text will be sung by the tenor to provide the piece a tale telling quality, with all of those other choir chiming set for the Italian parts. This will provide to emphasize the comparison between Italian and English that Sylvestri produces in his poem. It appears appropriate to really have the orchestra and choir perform a through-composed setting with a change in music for every st...