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Medea as Woman, Hero and God In Euripides' play the title character and focus of the drama is the overseas witch Medea. Treated differently throughout the drama by different people and at various occasions, she adapts and changes her personality, eventually triumphing over her hated husband Jason. She is able to feasibly be regarded as a mortal girl, Aristotle's tragic hero figure and even within a exulted goddess. Medea's individuality as a weak woman is emphasised in the very start of the drama. It's made quite apparent that she's come to hardship without any fault of her own and so is helpless within her issue ("her entire world has turned into enmity"). Being unable to change her position is an example of her portrayal as a poor girl figure. We are told that she's been screaming for days ("lies dropped in agony"). Shortly after those descriptions of her weeping, the Tutor arrives and informs us that yet more bad information is coming her way ("not discovered that the worst" "banish them"). Now all of the pity is led at Medea, shunned by her spouse and not able to control what is happening around her, rather crying uncontrollably ("shouting shrill, pitiful accusations"). Behind this feeble figure nevertheless, we have the warnings of the Nurse, shadowing this pity. She describes Medea's fury brewing from the despair and how powerful it is ("not loosen her anger" "just like a crazy bull or a lioness"). Her appearance as a woman in despair is nicely depicted but very soon Medea emerges out of the home, shaking off this grief and rather focusing on revenge. Her address when she leaves the home gives us some signs of her sour temper. While talking she's across as submissive ("I accept my position") and clarifies the unenviable position of women in society ("we women are the most wretc...