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The nineteenth century mystery novel The Woman in White by Wilkie Collins excites the reader with comprehensive descriptions and a suspenseful plot. The testimony of numerous characters reveals that the story of Laura Fairlie's arranged marriage to Sir Percival Glyde. Percival's friend, Count Fosco, is at his side, and Marian Halcombe, Laura's half-sister, is at her side. Walter Hartright, a watercolor artist, finds himself living with Laura briefly as he is hired to teach her his art. The two soon fall in love, shifting Laura's intends to marry Percival. Through the duration of the narrative, the underlying reasons and secrets of each of these characters are shown. Some readers might find Collins' publication too wordy. At times, this really is true: maybe Collins could have been briefer in describing how Hartright's sister (also a character with no location in the plot) picked up bits of a broken teacup, or if showing minute legal details in the testimony of Mr. Gilmore, the family solicitor. Nevertheless, these extra details are extremely beneficial in character and plot development. "Details like labels, a copy of a death certificate, and a reproduction of some tombstone engraving cause quite a few the narratives [to] double as readable images" (Irvin 225). Within these comprehensive images, Collins employs both suspense and colorful portrayals to create the engaging and amusing personalities of Laura Fairlie and Count Fosco. A great first impression can be important, while it's through a job interview or while fulfilling in-laws for the very first time. Ahead of the interviewee has even started their mouth to speak, the interviewer was given an impression through "obvious observable characteristics [like] sex, facial expressions, and ethnici...