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If you indulge in everything, you indulge in nothing. Oscar Wilde paints a picture to your reader similar to Basil Hallward, the painter at The Picture of Dorian Gray, the story of a young man's soul that he trades for the eternal youth and beauty of a portrait. Dorian's sins are painted onto the canvas while his own face is left unmarred by the horrible acts he commits. Dorian is a young, naïve, innocent boy with an impressionable nature which allows him to become seduced by Lord Henry's wildest perspectives in life, love, and beauty. Dorian soon realizes the power his own attractiveness possesses, and declares his wish to trade places with the portrait so that he can be young and beautiful forever. In Dorian Gray and the Moral Imagination, Kristian Williams asserts that at Dorian's quest for beauty he "loses website of a larger goal--a gorgeous life." (29). Williams is claiming that as Dorian admits to each indulgence and pursues new adventures and excesses his senses become deadened and taken for granted. Should you fill an area with roses, eventually you will no longer smell their perfume. Dorian, indulging in his every whim, and his wishing to live a beautiful life, maintained himself from experiencing life whatsoever, he becomes paranoid, he destroys his relationships, reputations, along with himself. Dorian becomes obsessed with the concept that someone could find out what he is hiding away. His paranoia consumes him and his obsession prevents him from enjoying life. He goes to great lengths to hide the portrait, himself off and keep it from prying eyes giving up his country residence, and leaving parties ancient to make sure it was he left it, undisturbed. He had been so blessed with the possibility that someone would find the film and find out his sec...