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Commentary Against Absurdity in Faust Goethe's "Faust" could possibly be called a comedy simply because readily as it is usually subtitled "A Tragedy." Throughout the play, the writer discovers ironic or comic methods to either mock or punish religionists, atheists, demons, and deities. Regardless of the apparent distinctions between these, Goethe unites all of them by the normal threads of ridiculousness and ego. Thus, the play all together becomes more of a commentary against absurdity than against religion. The 1st victims of satire in Faust are Satan and God, who come in somewhat small-scale form within an early picture that parallels the created book of Job. In Goethe's Heaven reigns "GOD, THE FATHER," to whom a trio of archangels ascribe creation. Enter Mephistopheles, and all semblance of seriousness is usually dropped. Introduced as a demon, and THE Devil arguably, he's witty, cynical, and generally a caricature of what religionists through the entire ages have labeled natural evil. GOD, THE FATHER proceeds to provide Mephistopheles permission to visit his "good servant" Faust,...