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Ode on a Grecian Urn by Tom Keats Overview In the initial stanza, the loudspeaker, position before an historic Grecian urn, details the urn, preoccupied with its interpretation of images freezing in period. It is normally the "still unravish'd bride-to-be of quietness," the "foster-child of quiet and sluggish period." He describes the urn as a "historian also, " which can inform a entire tale. He wonders about the figures on the relative side of the urn, and asks what legend they depict, and where they are from. He looks at a picture that appears to depict a group of men pursuing a group of women, and miracles what their tale could become: "What angry quest? What struggle to get away? / What timbrels and pipe joints? What wild ecstasy?" In the second stanza, the loudspeaker appears at another picture on the urn, this period of a youthful guy playing a tube, laying with his sweetheart beneath a glade of trees and shrubs. The loudspeaker says that the piper's "unheard" melody's are sweeter than human songs, because they are untouched by period. The youngsters can be informed by him that, though he can under no circumstances hug his mate because he is certainly iced in period, he ought not to grieve, because her beauty will hardly ever diminish. In the third stanza, he appears at the trees and shrubs encircling the fans, and seems content that they will under no circumstances shed their leaves; he can be content for the piper because his tunes will end up being "for ever fresh," and happy that the love of the boy and the girl shall last forever, unlike human like, which lapses into "breathing individual interest," and vanishes eventually, departing behind just a "burning temple, and a parching tongue." In the 4th stanza, another picture is certainly analyzed by the loudspeaker on the urn, this one of a mixed group of villagers leading a heifer to end up being sacrificed. He wonders where they are going ("To what green altar, O mysterious priest..."), and where they possess arrive from. He imagines their little city, unfilled of all its people, and tells it that its roads will "for evermore" end up being noiseless, for individuals who have got still left it, freezing on the urn, will under no circumstances come back. In the last stanza, the loudspeaker handles the urn itself, stating that it, like Eternity, "doth tease us out of idea." He believes that when his era is certainly lengthy deceased, the urn will stay, informing potential ages its enigmatic lesson: "Beauty can be truth, truth beauty." The loudspeaker says that that can be the just...