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Foreshadowing, Mood, Mythical Parallels, and Narrative Components in Dracula

Project id 1000777
Subject area Arts Entertainment
Document type Essay
Words 3374
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Foreshadowing, Disposition, Mythical Parallels, and Narrative Elements in Dracula    From the book Dracula, by Bram Stoker, there is much proof of foreshadowing and parallels to different myths. Dracula was not the first story with a vampire fantasy, nor was it the final. Some would even argue that it was not the very best. Nevertheless, it had been the most first, with all foreshadowing and mood to make horrific imagery, mythical parallels to draw upon a supply of superstition, and also initial narrative components that make this story unique. Anybody who has ever noticed one of those many adaptations of Dracula because a movie will know that it had been meant to be a horror story. Stoker goes into great lengths to be able to create an atmosphere of terror and villainy, while hinting at stimulating things ahead of time. Straight from the beginning of the book, foreshadowing is utilized to sign at horrifying future events. As Jonathan Harker was about to leave for Castle Dracula, an older lady accosted him and said, "It is the eve of St. George's Day. Can you not know that to-night once the clock strikes midnight, all the bad things in the world will have full sway?" (Stoker, 4). However Harker leaves anyway, despite the warning. Hence the reader is totally aware that something dreadful will happen to him. This quote makes one's mind think of possible future events, thus creating imagery. Every writer wants to create good vision, and Bram Stoker is very good at doing so. Another example of foreshadowing unfolds when Harker has been hauled to Castle Dracula by the mystical and tenebrous driver. "Then, as we flew along, the driver leaned forward, and on each side the passengers, craning on the edg...

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