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Literature emerges as a assemblage of external influence, literary form, readership, and authorial intent (Tyson 136). New Criticism asserts that just the analysis of literary form, being tangible and specific examples that exist within the text (135), can correctly assess a literary work. New Criticism discounts authorial bureau and cultural force that educates the construction of a given text. New Critics believe that these sources of external proof create intentional fallacy, the flawed acceptance of the author's intention as the text true significance, and affective fallacy, the confusion of this text together with the emotions it generates (136-37). Writer's intent, emotions triggered, and outside influences of culture are signaled by New Criticism to result in insanity if utilized to assess literature (137). Nonetheless, in Carol Ann Duffy's "Little Red Cap", such factors given by New Criticism aim to fortify and embody complexity and wholeness unachieved by New Criticism's restricted evaluation of "formal elements" (137). Due to New Criticism's concentrate on objective form and its exclusion of outside influences such as authorship, readership, and civilization, New Criticism neglects to correctly evaluate Duffy's "Little Red Cap", thus showing the review's limitations as a universally lens. New Criticism's requirement of eliminating subjectivity of the author's hand in their own work demonstrates significant ignorance towards the only reason for the literary work's production: the writer. Consideration of biographical nature of "Little Red Cap" provides the reader with the capacity to analyze the poem onto a level that surpasses basic symbolism by injecting authenticity into the text. Duffy asserts that the poem is biographical, stating, "Small Rep.. .